The audience occupies a very specific, deliberate, position in the films of Asghar Farhadi. His neorealist style, defined by his handheld photography and follow shots, make us… Read more “The Salesman (2017)”
The audience occupies a very specific, deliberate, position in the films of Asghar Farhadi. His neorealist style, defined by his handheld photography and follow shots, make us… Read more “The Salesman (2017)”